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October 08 2015


Actual scene from a Nigerian movie

Reposted fromdoener doener viakevblast kevblast
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school art project titled "candlelight"
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October 05 2015

Reposted frombraindrops braindrops viastarbug starbug
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Keyboard Problems
In the future, a group of resistance fighters send me back in time with instructions to find the Skynet prototype and try to upgrade it.
Reposted fromxkcd xkcd

October 04 2015

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Schusswaffentode in den USA versus Gefallene der USA in den Kriegen. Welche Zahl ist wohl groesser?
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His parents allowed him and his sister to change their names at age 8 if they wanted to — and of course, an eight-year-old would pick a name that an eight-year-old would love. Loki Skylizard MD FCCP is now a thoracic surgeon in Frederick, Maryland.

Sources: [1] [2]

Follow Ultrafacts for more facts

Reposted fromteacup teacup viadatacop datacop

Die USA bombardieren dann mal ein Krankenhaus in Afghanistan.19 ...

Die USA bombardieren dann mal ein Krankenhaus in Afghanistan.

19 Tote, davon drei Kinder.

Und das war nicht irgendein Krankenhaus sondern eines von Ärzte ohne Grenzen. Und die hatten natürlich die Koordinaten mehrfach bei den Amis reingekippt, damit sowas nicht passiert. Was ja an sich schon alles über die US-Kriegsführung sagt, wenn man denen Koordinaten von Krankenhäusern schicken muss, weil die nicht von sich aus darauf kommen, keine zivilen Gebäude zu bombardieren.

Die Zeit dazu.

Selbst nachdem amerikanische und afghanische Militärs in Kabul und in Washington über einen ersten Treffer informiert wurden, sei der Bombenangriff auf die Gebäude noch mehr als 30 Minuten lang weitergegangen, teilte die Organisation mit.
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Da war wohl der Zensor pinkeln: Der Anwalt des Axel ...

Da war wohl der Zensor pinkeln: Der Anwalt des Axel Springer Verlags erklärt, was eigentlich das Geschäftsmodell von Axel Springer ist.
Das Kerngeschäft der Klägerin ist die Vermarktung von Werbung. Journalistische Inhalte sind das Vehikel, um die Aufmerksamkeit des Publikums für die werblichen Inhalte zu erreichen.
Gut, das kommt jetzt nicht völlig überraschend. Aber schön, das mal schwarz auf weiß zu haben.
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Reposted fromderschlaefer derschlaefer viastarbug starbug



Courtney Demone is a trans woman currently undergoing hormone replacement therapy and, as such, is starting to grow breasts.

Given this opportunity, she has a found a brilliant way to #FreeTheNipple.

Demone is launching the hashtag #DoIHaveBoobsNow and will post topless images of herself on Facebook and Instagram, “until those networks decide that my breasts have developed enough to be sexualized and worthy of censorship”

Demone is exposing privilege and hypocrisy all at one.

The salt inherent in this is delicious and makes my heart soar.

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October 01 2015

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“My husband and I sold everything we had to afford the journey. We worked 15 hours a day in Turkey until we had enough money to leave. The smuggler put 152 of us on a boat. Once we saw the boat, many of us wanted to go back, but he told us that anyone who turned back would not get a refund. We had no choice. Both the lower compartment and the deck were filled with people. Waves began to come into the boat so the captain told everyone to throw their baggage into the sea. In the ocean we hit a rock, but the captain told us not to worry. Water began to come into the boat, but again he told us not to worry. We were in the lower compartment and it began to fill with water. It was too tight to move. Everyone began to scream. We were the last ones to get out alive. My husband pulled me out of the window. In the ocean, he took off his life jacket and gave it to a woman. We swam for as long as possible. After several hours he told me he that he was too tired to swim and that he was going to float on his back and rest. It was so dark we could not see. The waves were high. I could hear him calling me but he got further and further away. Eventually a boat found me. They never found my husband.” (Kos, Greece)

Who Lets Her Up?





It’s been repeatedly claimed that, at the end of MMFR, it’s the War Pups who pull the lever to lower the lift for Furiosa, allowing her to ascend as the (implied) new leader of the Citadel. And it makes for an appealing story: the youngest generation of a social class previously trained to make war and regard people as things, now expressing their preference for a leader who defies the rule of a patriarch and brings with her the healing power of a more egalitarian society.

But that’s not the whole story.

The War Pups, cute as they are, are not the leaders of this internal revolutionary action. The War Pups are not the first to push the lever that makes the lift descend.

Here’s the platform, with the lever in question, before the lift is lowered:

I’ve circled in red one of the treadmill workers, because he is important. This shot is VERY short, so it’s easy to miss, but this guy is moving. By his stance and movement it’s clear that he’s sneaking out from the treadmill, likely disobeying orders by leaving his post.

After this there are a few quick shots of everyone–Corpus on another platform, Max & Furiosa on the Gigahorse, the lift control guy–looking around, waiting to see what’s going to happen. When the camera jumps back to the lift platform, we see this:

The treadmill worker has now grasped the lever and begins to push it forward, before the Pups reach the lever. It’s very, VERY hard to tell at regular speed, but slow it down and you can see the worker begin to push the lever down. Go ahead and take a look, I’ll wait.

Then, the Pups reach the lever and begin assisting, but this guy is still pushing.

Who lets her up? The invisible Wretched.

I only noticed this on my seventh theater screening of the film, because it’s very, very hard to notice. But I think that speaks to the way in which the Wretched are almost entirely invisible to the audience throughout the film, even when they’re on screen.

I’m sure there’s a critical Marxist commentary to be made here about the underclass being invisible in any revolution, and I hope someone will take on that challenge. For now, though, I hope we can begin to acknowledge that while the Pups are an important part of Furiosa’s takeover, they were not the only, nor even the first, to act.

This is like the perfect image of revolution, though: a starving worker and a bunch of kids literally taking the lever of power out of the hands of a muscle-bound representative of the old order, who’s paralyzed by the sudden change in the balance of forces. (The Milking Mothers turning on the water is another literal oppressed-putting-their-hands-on-the-levers-of-power moment.)

Joe uses different methods to rule different sections of the Citadel population. The Wretched are ruled by coercion–they have nothing and must sell their labor, bodies or children to get anything. The Treadmill Guy clearly has nothing to lose here. Look at him–you can see his ribs. I think it’s implied that the treadmill workers are worked to death, maybe in exchange for some meager supplies for their families. They aren’t fed enough to keep them physically fit enough to work the treadmill indefinitely; they seem to be burned through and replaced from the Wretched below. This guy, like the Wretched who pounce on Joe’s body, doesn’t need much prodding to throw in his lot with the prospect of change. Anything must be better than the present conditions.

But one dude with a bit more courage than his co-workers is easily overpowered. That’s why the backup from the pups–the people who were supposed to be Joe’s future soldiers–is important. The War Boys are primarily ruled by ideology–convinced that this is not only the natural order of things, but that dying for Joe is a privilege and an honor. But the hold of ideology can be shaken when reality contradicts it strongly enough. We see this happen to Nux, and we see that some of the pups haven’t been completely indoctrinated into the cult of Joe. People’s ideas can change. In revolutionary moments, many people’s ideas change quite dramatically.

The last piece of this tableau is the hulking Brakeman. He’s easily the biggest and strongest person on the platform, probably armed, and the person who’s invested with official authority. He represents the thin layer of people around Joe who are tied to his rule by enough privilege/status to feel some investment in keeping him in power. I’d say this includes Joe’s sons, Organic, and the other Imperators.

One of the common characteristics of many real-life revolutionary moments is that this layer, often represented by the higher ranks of the armed forces, hesitates and is paralyzed, when they formerly seemed impossibly strong. The balance of power has shifted enough that these people are no longer sure they have the impunity they enjoyed under the old tyrant, so they’re not sure what to do, and therefore do nothing. This is exactly what’s happening to this guy, and to his comrade on the lift (who is armed but does nothing once Furiosa, the Wives, the Vuvalini and the Wretched surround him), and to Corpus.

The Brakeman and his compatriot could have refused to raise the lift or shot at our already pretty ragged group of protagonists on the ground. But they’re overwhelmed by a collective, mostly unarmed surge of people who have nothing to lose from trying out a new order. Which is exactly what happens in a real revolution.

It’s a brilliantly-composed scene.

Basically this.

Oh George why couldn’t you have made it just a little more obvious that that guy wasn’t already at the lever? Then I could have enjoyed this knowledge a lot sooner

Reposted fromlordminx lordminx viadatacop datacop
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